Last week I attended the opening of The Australian Geographic ANZANG Nature Photographer of the Year 2014 exhibition at the South Australian Museum, in Adelaide. It was wonderful to be amongst the excitement as the competition winners were announced. Celebrating the landscapes and animals of the Australasian region, the competition attracts the amazing talents of thousands of photographers each year. I went to the exhibition opening with one of the finalists, Ruth Smith – a friend and contributor to the National Museum’s Landmarks gallery – and enjoyed the opportunity to reflect on her work and the art of photography.
During the development of the Spirited: Australia’s horse story exhibition, the National Museum has been in contact with numerous breed organisations and representatives from across Australia. Several weeks ago, I was contacted by Angela Tiede, a passionate supporter and owner of Waler horses. Angela sent the following stories of some of her horses for use in this guest blog post as part of her aspiration to help Walers “find their modern role in our community… Our pioneering horse meets our pioneering future, so to speak.”
What happens to racehorses when they leave the track?
Last week I was contacted by a number of people critical of our decision to display of a can of ‘Horsielicious’, created by the Coalition for the Protection of Racehorses (CPR), in the Spirited: Australia’s Horse Story exhibition. The can was used in 2014 protests aimed at raising awareness of the need for a ‘retirement plan’ for horses involved in racing.
The National Museum celebrated Australia’s horse story with the official launch of its new exhibition Spirited last week. The opening event mustered together horse enthusiasts from across the country, many of them having contributed their stories to the exhibition. Animal trainer Zelie Bullen opened the exhibiton by sharing her own horse stories, including those from the set of War Horse. Many more stories were shared as guests mingled and looked through the exhibition for the first time.
Like, I suspect, many Australians, I have always thought of racehorses (or at least the non-harnessed variety) as Thoroughbreds, but Arabian enthusiast Virginia Dodson recently opened my eyes to the part her favourite breed has played in Australian racing. Continue reading
A few months ago we introduced painter Margrete Erling and her works that powerfully convey the significance of horses within Australian history, see Painting horses. In the meantime, Margrete has finished two striking new paintings. ‘Brumby’ honours the contribution of stock horses to the Australian pastoral industry, and ‘Pit Pony’ records the lives of horses bred to work in the cold darkness of underground coal mines. Continue reading
This week, the National Museum has launched a new website called ‘My Pony Club’, inviting all pony club participants from across Australia to contribute their stories. Check out the website ‘My Pony Club’ to read some great stories, and add yours to the site for a chance to win one of five double passes to our exhibition Spirited: Australia’s Horse Story, opening in September.
On August 1st, all Australian horses mark their official birthdays. To celebrate the occasion, we’ve installed a striking, life-size equine sculpture in the Museum’s Main Hall, and are calling on Australians to tweet stories and images of how they are celebrating their horse’s birthday.
It’s 145 years since James Ferrier won this silver medal in a ploughing match at Coleraine, Victoria. So … who’s the guy in the wig?
Is there a ‘dark side’ to the presence of horses in Australia? Continue reading