On a mild evening in March, distinguished archaeologist Dr Josephine Flood spoke to a full house in the Museum’s Visions Theatre, at an event co-hosted by the Canberra Archaeological Society and the Museum Friends. Best known for her research regarding the region’s Moth Hunters and dating occupation in places like the Birrigai Rock Shelter to 25,000 years, Dr Flood’s work has bestowed significant scientific value on Aboriginal history in the region. Her work continues to influence contemporary archaeological understandings of Aboriginal occupation particularly of Australia’s High Country, triggered in part by annual feasting and ceremony relating to Bogong Moths. It has been this work in particular that has reconnected Dr Flood with the Museum and its collections; our new environmental history gallery will focus on the intersection between people and these magnificent pathways, such as the one forged and activated by the impressive Bogong Moth migration from southern Queensland into the rock crevices across the Australian High Country. The Museum holds an impressive collection of Dr Flood’s research materials, including archaeological samples associated with moth hunting and life in the High Country.
On Friday, the Namatjira Legacy Trust was officially launched at the National Museum of Australia. The Museum was pleased to host granddaughters of Albert Namatjira and trustees, Lenie Namatjira and Gloria Pannka, Clara Inkamala, musician Shelli Morris, and Big hART’s Director Scott Rankin and Producer Sophia Marinos, with other special guests to celebrate the occasion. The event also marked the official launch of the Museum’s Ntaria (Hermannsburg) exhibit in the Landmarks gallery.
One of the joys of working at a museum is the variety of stories you uncover when researching objects. Another is the pleasure of meeting people who can illuminate and elaborate on those stories and objects.
Recently, when developing a display for our Journeys gallery, I was fortunate enough to work with both a wonderful collection and an engaged and very connected individual. The story relates to the experiences of James Taylor, a farrier with the 9th Light Horse stationed in the Middle East during World War One. The collection of material includes Taylor’s ‘coming home’ tunic, slouch hat, kit bag and pay book. The individual is Fran Kirby, Taylor’s grand daughter.
The National Museum of Australia has recently acquired the 1881 Adelaide Hunt Club Cup, one of only three gold presentation cups created in South Australia in the nineteenth century still in existence. The cup was purchased at Sotheby’s auction on 25 October 2016. Continue reading
The Spring Winds – as they always do – trigger new beginnings.
My name is Jilda Andrews and I am the newly appointed ‘audience advocate’ for the National Museum’s new environmental history gallery, known so far as Life in Australia. My background is within the Museum’s Learning Services and Community Outreach team, developing and facilitating public programs that help non-traditional museum audiences gain access to the Museum. I am thrilled to join the Life in Australia team as an audience advocate, to be a part of the machinations of developing a brand new permanent gallery, and to work creatively with the team — the communities, organisations, families and individuals we meet along the way, not only as collaborators, but as core audiences themselves to the new gallery. Continue reading
In 1910, Miss Gladys Roberts became one of the first employees of the Australian Institute of Tropical Medicine in Townsville, Queensland. She was employed to illustrate publications and research papers by the institute staff on a casual basis until 1930, depicting parasites and micro organisms as seen through a microscope. Colour plates of her illustrations were published in the ‘Report of the Institute for 1911′, and a copy of that report, open to show one of Gladys’ works, is now on display in the Landmarks gallery at the National Museum.
My name is Patrick Bailey. This is the final of three posts that I’ve prepared as an intern at the National Museum of Australia (and as part of the Australian National Internship Program), which explores how the interaction between human and non-human forces in Southern NSW and the ACT combine to form continual and changing expressions of community identity. This last post will explore how the land has been influenced by people and formed ongoing relationships which resonate with inhabitants today.
One of the more common stereotypes of alpine Australia involves the presence of brumbies and cattle, and their impact on the environment. However, these two animals are only a recent addition to the region. Until Europeans arrived, no such animals existed here. These new species, along with rabbits, dogs and sheep, and plants such as wheat and barley, changed the landscape Continue reading
In 2012 the Museum acquired a small collection associated with the distinguished career of the Surveyor-General of Hobart, James Sprent. The collection includes a large and very early map of Tasmania, Sprent’s degree certificate, a Reeves parallel ruler, three small certificates for short courses at the University of Glasgow and a wooden box which is likely to have held Sprent’s drawing instruments. The map was the first accurate map of the colony and the first to reflect the colony’s name change to ‘Tasmania’.
My name is Patrick Bailey. This is the second of three posts that I’ve prepared as an intern at the National Museum of Australia (and as part of the Australian National Internship Program), which explores how the interaction between human and non-human forces in the alpine region of Southern NSW and the ACT combine to form continual and changing expressions of community identity across time. This second post explores Aboriginal and non-Aboriginal practices which enabled strong connections between people and their environment.
“In summer the arrival of the Bogong moths provided another food source…[they] travelled to the Alps… not just about food, they involved ceremonies and exchanges between different groups. The opportunity to climb the mountains was an important spiritual experience.” (Matthew Higgins, Rugged beyond Imagination: Stories from an Australian Mountain Region p. 13) Continue reading
Today marks 114 years since the birth of famous Western Arrarnta artist Albert Namatjira. Born at Hermannsburg mission on 28 July 1902, Elea, later christened ‘Albert’, learnt to paint with watercolours during the early 1930s, and had his first solo exhibition in 1938. Within a decade, Namatjira had become famous and his sons and relatives also began painting watercolour landscapes, forming what became known as the Hermannsburg School of Art. He is now remembered as a grandfather, uncle, teacher, leader and founder of an art movement.