On Saturday 29th April, the village of Picton came alive with the annual IlluminARTe Wollondilly Festival. The festival had a family atmosphere and featured market stalls, street musicians, a lantern parade, fireworks and building projections. A number of artists were invited to create projections onto the buildings including Julie Ryder, our artist-in-residence from 2016. Julie chose to use images from our seaweed album and related collections to inform her artwork. Continue reading
The National Museum of Australia celebrated the history of cycling in Australia with the official launch on the 13th April of its exhibition Freewheeling: Cycling in Australia. The exhibition has been travelling around Australia since November 2014 and this is the final venue of the tour.
It was a privilege to host Michael Milton, paralympic cyclist, and Gillian Helyar from Pedal Power ACT as the guest speakers at the launch. Michael and Gillian enjoyed a preview of the exhibition, along with NMA Director Dr. Mathew Trinca and Curator Catriona Donnelly. Continue reading
The National Museum of Australia has recently acquired the 1881 Adelaide Hunt Club Cup, one of only three gold presentation cups created in South Australia in the nineteenth century still in existence. The cup was purchased at Sotheby’s auction on 25 October 2016. Continue reading
In 2012 the Museum acquired a small collection associated with the distinguished career of the Surveyor-General of Hobart, James Sprent. The collection includes a large and very early map of Tasmania, Sprent’s degree certificate, a Reeves parallel ruler, three small certificates for short courses at the University of Glasgow and a wooden box which is likely to have held Sprent’s drawing instruments. The map was the first accurate map of the colony and the first to reflect the colony’s name change to ‘Tasmania’.
I am excited to introduce Julie Ryder, our artist-in-residence for 2016. Julie is an accomplished textile artist who draws inspiration from the natural world, combining her scientific background and creativity to produce innovative artworks. Julie has started a six month residency at the National Museum of Australia and has received support for her project from the Australia Council for the Arts.
Our artist-in-residence program provides opportunities for artists to work with objects in the Museum’s National Historical Collection. This project will involve working with curators, accessing and researching our botanical collections and exploring the role played by women in early collecting practices in colonial Australia. Continue reading
The act of nurturing a single pot plant would appear to be a fairly benign activity. However, when Navy surgeon, Dr William Bell Carlyle, entrusted a prickly pear cutting to the care and protection of his servant, Mary Sutton, no one could have predicted the devastation which would result. In a period of less than 100 years the prickly pear multiplied and occupied over 60 million acres of Queensland and New South Wales, equivalent to the whole land area of the United Kingdom or New Zealand. Continue reading
The Museum acquired this triptych, Hunting Party (Barbeque Area), by Julie Gough in late 2014. The artwork was purchased along with an accompanying short film titled Hunting Ground incorporating Barbeque Area. Contemporary artworks like these challenge visitors to understand history from a different point of view, that of the artist’s perspective. Continue reading
These three medals are some of the earliest agricultural medals in the Museum’s collection. They were awarded to Robert Laidlaw, Mr. Bostock and Jas (probably James) Bryden at the Victoria Agricultural Society show on the 21st April 1858. The medals were purchased by the Museum in 2014 and can be traced back to John Pascoe Fawkner who was the President of the society at the time.
During the nineteenth century, agricultural and industrial associations formed across rural and urban Australia to foster the development of modern farming systems by promoting new Continue reading
One of the Museum’s latest acquisitions is this late 18th century halfpenny token which features images of three exotic animals, ‘The Kanguroo, The Armadillo and
The Rhinoceros’. Thomas Hall, a taxidermist and curiosity dealer, produced these tokens to advertise his ‘house of curiosity’, otherwise known as the Finsbury Museum, which he operated from his home at 10 City Road, London. The token illustrates the fascination and curiosity shown by the British public in the late 18th and early 19th centuries to view exhibits of exotic animals, in particular the kangaroo from New
South Wales. Continue reading
One of the most interesting aspects of working as a curator is observing how different people interpret objects in different ways. Some people may look at a writing box and see a functional object made to serve a specific purpose, others may view it as an object which tells the story of a person, place or event, and some may even experience an emotional response. Last week, I was privileged to gain an insight into how a contemporary artist is interpreting some of our collection through his camera lens. Continue reading