Hunting Party (Barbeque area) 2014

Hunting Ground

The Museum acquired this triptych, Hunting Party (Barbeque Area), by Julie Gough in late 2014. The artwork was purchased along with an accompanying short film titled Hunting Ground incorporating Barbeque Area. Contemporary artworks like these challenge visitors to understand history from a different point of view, that of the artist’s perspective. Continue reading

Schoolboys learning about rabbit fur felt hat-making at the Akubra stand at the Australian Manufacturers' Exhibition in Sydney, December 1927. Sam Hood collection, State Library of New South Wales hood_06299

From paddock to pate: ‘good Australian felt’

In time for Australia Day, January 26, dig into the story behind that peculiarly Australian icon of headwear: the rabbit fur felt hat.

This post is the third in a series co-developed by Jono Lineen and other curators that explores Australians’ experiences with rabbits through objects in the National Museum’s collections.   

Infamous here as pests on the land, Australia’s wild rabbits achieved international fame for their contribution to fashion. From the late nineteenth century many millions of rabbits took on new identities as coats and hats, a furry and felty invasion welcomed in cities and towns around Australia and overseas. Continue reading

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Cool it! The Jockey Club Museum of Climate Change, Hong Kong

The first thing I noticed about the Jockey Club Museum of Climate Change was the noise. When I arrived, a class of school students had just been released from formal proceedings for some “unstructured time” in the exhibition space, which prompted laughter, squealing and generally excitable tones from otherwise impeccably behaved students. My host and one of the creators of the museum, Dr Matthew Pang, paused at the cacophony. “That is my favorite sound to hear in the Museum…It always brings a smile to my face”. Continue reading

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A local adventure

As part of the Food Stories project, we’ve been working with Moonah Primary School in Hobart, and with Reuben Parker-Greer from the Museum of Old and New Art, or MONA. Reuben runs a scheme that supports kitchen garden initiatives at schools located near MONA, including Moonah Primary. As the National Museum and MONA share an interest in the amazing work that Moonah Primary has achieved in their school kitchen and garden, we decided to combine forces and embark on a unique learning journey that explored the dynamic food culture of the Moonah area. Continue reading

Lane's Ace brand rabbit trap. CSIRO Division of Wildlife and Ecology collection. Photo by Jason McCarthy, National Museum of Australia.

‘Round the traps

This post is the second in a series co-developed by Jono Lineen and other curators that explores Australians’ experiences with rabbits through objects in the National Museum’s collections.   

Rabbit trapping helped sustain many Australians through tough times of the nineteenth and twentieth centuries, providing livelihoods, extra income or food. Rabbits were plentiful and trapping looked on as a simple way to convert a problem into something useful: money, a hot dinner or furred garment. Besides potential victims, prospective trappers had only a few basic needs: Continue reading

Dent marine chronometer 53862 as it appears today, 2007.
Image: National Museum of Australia.

A ‘most wonderful piece of mechanism’: Dent Marine Chronometer No 53862

Friday 17 August 1906. The Galilee, once the fastest clipper on the Pacific Ocean and now a research vessel for the Department of Terrestrial Magnetism (DTM) on its second scientific voyage, lies on its side in Yokohama Harbour, the victim of a savage typhoon. On board is some of the latest scientific and navigational equipment, including four marine chronometers. By Saturday evening, the vessel was righted and all the equipment saved. One of the chronometers – Dent two-day marine chronometer No 53862 – is now in the collection of the National Museum of Australia. How did it get there? Continue reading

What bird is that?

Bird Week 2015, 19-23 October, is an initiative of BirdLife Australia, with the aim of inspiring Australians to take action and get involved in bird conservation efforts. This week, as many people take part in the Aussie Backyard Bird Count, they’re likely to ask: ‘What bird is that?’ Generations of Australians have answered that question with a copy of the book What bird is that? in hand, inspired and guided by the work of Neville W Cayley.

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a river story…

Last weekend, as the sun dropped behind the Murrumbidgee River at Narrandera in southern New South Wales, hundreds of people gathered to watch Haunting, a major projection artwork developed by the Museum’s artist-in-residence Vic McEwanHaunting considers the dramatic transformation of the Murrumbidgee region and much of southern Australia from grassland and bush into a modern agricultural landscape, and the still unfurling consequences of past actions for people, other species, places and climate. The performance was part of the On Common Ground arts festival, an initiative of Vic and Sarah McEwan’s The Cad Factory and the local community. Continue reading

The Museum’s section of Fence No.2 installed in the Old New Land gallery, with wire netting set into the ‘earth’ of the display case. Burying netting into the ground to prevent rabbits passing underneath was an important step in the process of fence-building. 
Photo by George Serras, National Museum of Australia.

Rabbit-proofing the West

The National Museum of Australia holds many different objects that together record the ecological and social significance of the feral European wild rabbit. Recently, curators in the People and the Environment team have looked again at these rabbit items and the fascinating stories they hold. This post is the first in a series co-developed by Jono Lineen and other curators that explores Australians’ experiences with rabbits through objects in the National Museum’s collections.   

The European wild rabbit (Oryctolagus cuniculus) has been a particularly successful, damaging and enduring coloniser of Australia’s landscapes. Purposefully released, most notably – though not exclusively – by Thomas Austin on his Victorian property in late 1859, rabbits quickly proved problematic and came to be recognised as a pest. Even with well over a century of attempts at Continue reading