Category: Uncategorised

Seaweed projections at IlluminARTe

On Saturday 29th April, the village of Picton came alive with the annual IlluminARTe Wollondilly Festival. The festival had a family atmosphere and featured market stalls, street musicians, a lantern parade, fireworks and building projections. A number of artists were invited to create projections onto the buildings including Julie Ryder, our artist-in-residence from 2016. Julie chose to use images from our seaweed album and related collections to inform her artwork.

Freewheeling spins into Canberra

The National Museum of Australia celebrated the history of cycling in Australia with the official launch on the 13th April of its exhibition Freewheeling: Cycling in Australia. The exhibition has been travelling around Australia since November 2014 and this is the final venue of the tour. It was a privilege to host Michael Milton, paralympic cyclist, and Gillian Helyar from Pedal Power ACT as the guest speakers at the launch. Michael and Gillian enjoyed a preview...

A piece of the ‘goodwill rock’

Tonight, a lunar surface fragment from the National Museum’s collection will appear in the Stargazing Live series, hosted by Professor Brian Cox and Julia Zemiro. Broadcast on the ABC from the Siding Spring Observatory, near Coonabarabran, New South Wales, the moon rock fragment will offer stories from the Moon, NASA astronauts and international politics, as leading scientists and personalities tackle astronomy’s most intriguing questions and seek to inspire Australians to explore our solar system. Next...

Moth-Man prophecies: reflections from the field

On a mild evening in March, distinguished archaeologist Dr Josephine Flood spoke to a full house in the Museum’s Visions Theatre, at an event co-hosted by the Canberra Archaeological Society and the Museum Friends. Best known for her research regarding the region’s Moth Hunters and dating occupation in places like the Birrigai Rock Shelter to 25,000 years, Dr Flood’s work has bestowed significant scientific value on Aboriginal history in the region.

A new chapter

On Friday, the Namatjira Legacy Trust was officially launched at the National Museum of Australia. The Museum was pleased to host granddaughters of Albert Namatjira and trustees, Lenie Namatjira and Gloria Pannka, Clara Inkamala, musician Shelli Morris, and Big hART’s Director Scott Rankin and Producer Sophia Marinos, with other special guests to celebrate the occasion. The event also marked the official launch of the Museum’s Ntaria (Hermannsburg) exhibit in the Landmarks...

Continuing connections

One of the joys of working at a museum is the variety of stories you uncover when researching objects. Another is the pleasure of meeting people who can illuminate and elaborate on those stories and objects. Recently, when developing a display for our Journeys gallery, I was fortunate enough to work with both a wonderful collection and an engaged and very connected individual. The story relates to the experiences of...

Eden and the Spring Winds

  The Spring Winds – as they always do – trigger new beginnings. My name is Jilda Andrews and I am the newly appointed ‘audience advocate’ for the National Museum’s new environmental history gallery, known so far as Life in Australia. My background is within the Museum’s Learning Services and Community Outreach team, developing and facilitating public programs that help non-traditional museum audiences gain access to the Museum. I am thrilled to...

Art and science under the microscope

In 1910, Miss Gladys Roberts became one of the first employees of the Australian Institute of Tropical Medicine in Townsville, Queensland. She was employed to illustrate publications and research papers by the institute staff on a casual basis until 1930, depicting parasites and micro organisms as seen through a microscope. Colour plates of her illustrations were published in the ‘Report of the Institute for 1911′, and a copy of that report, open to show...

The Path of the Bogong: Land & People

My name is Patrick Bailey. This is the final of three posts that I’ve prepared as an intern at the National Museum of Australia (and as part of the Australian National Internship Program), which explores how the interaction between human and non-human forces in Southern NSW and the ACT combine to form continual and changing expressions of community identity. This last post will explore how the land has been influenced by people and formed ongoing...

Mapping a rugged landscape

In 2012 the Museum acquired a small collection associated with the distinguished career of the Surveyor-General of Hobart, James Sprent. The collection includes a large and very early map of Tasmania, Sprent’s degree certificate, a Reeves parallel ruler, three small certificates for short courses at the University of Glasgow and a wooden box which is likely to have held Sprent’s drawing instruments. The map was the first accurate map of the colony and the first to reflect the colony’s...

The Path of the Bogong – Festivals of the Mountains

My name is Patrick Bailey. This is the second of three posts that I’ve prepared as an intern at the National Museum of Australia (and as part of the Australian National Internship Program), which explores how the interaction between human and non-human forces in the alpine region of Southern NSW and the ACT combine to form continual and changing expressions of community identity across time. This second post explores Aboriginal and non-Aboriginal practices...

Birth of an art movement

Today marks 114 years since the birth of famous Western Arrarnta artist Albert Namatjira. Born at Hermannsburg mission on 28 July 1902, Elea, later christened ‘Albert’, learnt to paint with watercolours during the early 1930s, and had his first solo exhibition in 1938. Within a decade, Namatjira had become famous and his sons and relatives also began painting watercolour landscapes, forming what became known as the Hermannsburg School of Art. He is...

Introducing Julie Ryder, our artist-in-residence for 2016

I am excited to introduce Julie Ryder, our artist-in-residence for 2016. Julie is an accomplished textile artist who draws inspiration from the natural world, combining her scientific background and creativity to produce innovative artworks. Julie has started a six month residency at the National Museum of Australia and has received support for her project from the Australia Council for the Arts. Our artist-in-residence program provides opportunities for artists to work with objects in...

The Path of the Bogong – The Landscape

My name is Patrick Bailey. As an intern at the National Museum of Australia (and as part of the Australian National Internship Program), it has been my privilege to research and compile a report on interactions between human and non-human forces in the alpine region of Southern NSW and the ACT, and how they combine to form continual and changing expressions of community identity across time. This research is designed to contribute in...

Visitors to Ntaria

The landscape of Central Australia has attracted millions of visitors since the area was opened to tourism, most notably following the extension of the railway line to Alice Springs in 1929. Where the local Aboriginal communities were displaced and banned, they are now leading conversations about land management and tourism. The watercolour paintings of celebrated Western Arrarnta artist Albert Namatjira have transported generations of Australians into his country, west of Alice Springs across...

A prickly invasion

The act of nurturing a single pot plant would appear to be a fairly benign activity. However, when Navy surgeon, Dr William Bell Carlyle, entrusted a prickly pear cutting to the care and protection of his servant, Mary Sutton, no one could have predicted the devastation which would result. In a period of less than 100 years the prickly pear multiplied and occupied over 60 million acres of Queensland and New South...

World Oceans Day, 8 June 2016

It is hard not to be impressed by giant clams. In the wild, their size and unique color patterns make them one of the most captivating of sea creatures. Even the shells from dead clams have a powerful impact, one that speaks to their prominent place in the popular imagination about our oceans and the place of humans in them. Sadly, the beauty and cultural power inherent in these animals has helped bring them...