Category: Museum practice

Riverina Rabbits: volunteers digging the dirt

Today, December 5, is International Volunteer Day. At the National Museum of Australia, curators collaborate with a wide range of people, including many volunteers, to research and develop collections and exhibitions. In People and the Environment team, we recently came across a wonderful example of the contribution volunteers made to a previous project at the National Museum, and we thought that effort deserved sharing.

The scandalous Mr Wakefield

Imagine yourself, for a minute, as a 15-year-old girl at boarding school in England in 1826. An urgent message arrives to inform you that your mother has taken ill and you must come to her at once.  The concern for your mother’s condition weighs heavily on your mind as you rush off in an awaiting carriage. When your carriage stops to change horses, you are informed by a charming gentleman that your mother is not...

Freewheelin’ through Australia’s cycling history

Cadel Evans, Anna Meares, Simon Gerrans, Nathan Hass, Caroline Buchanan, Kathy Watt, Sue Powell and Michael Milton are just a few of the cycling stars you will encounter in a new National Museum of Australia travelling  exhibition due to open at the Queensland Museum in Brisbane this weekend. Freewheeling: Cycling in Australia explores the story of Australian cycling, from our elite champions through to the role bikes have played in all...

Working on Winnie

Chloe Bussenschutt works as an objects conservator at the National Museum of Australia. One of her recent tasks has been the stabilisation and revitalisation of a horse mannequin from a saddlery business in Cooma, a town on the high, windswept Monaro plains of southern New South Wales. The mannequin features in Spirited: Australia’s Horse Story, the Museum’s latest exhibition. In her writings below, Chloe reveals the artful, philosophical and technical dimensions of this particular...

Captured: the art of photography

Last week I attended the opening of The Australian Geographic ANZANG Nature Photographer of the Year 2014 exhibition at the South Australian Museum, in Adelaide. It was wonderful to be amongst the excitement as the competition winners were announced. Celebrating the landscapes and animals of the Australasian region, the competition attracts the amazing talents of thousands of photographers each year. I went to the exhibition opening with one of the finalists, Ruth Smith –...

A Spirited opening event

The National Museum celebrated Australia’s horse story with the official launch of its new exhibition Spirited last week. The opening event mustered together horse enthusiasts from across the country, many of them having contributed their stories to the exhibition. Animal trainer Zelie Bullen opened the exhibiton by sharing her own horse stories, including those from the set of War Horse. Many more stories were shared as guests mingled and looked through the exhibition for...

Cycling revolution? Velo-City Global 2014: a personal view

There’s a scene in the 1999 blockbuster The Matrix that kept jumping into my mind during the annual international cycling conference Velo-City Global held in Adelaide in May. In a flash restaurant, one of Neo’s (Keanu Reeves’) collaborators is making a deal with the enemy, the machines. He bites into a piece of steak admitting that while he knows it is merely a virtual construction that makes it seem juicy...

A frosty reception

Hobart and Canberra rank as two of the coldest cities in Australia. As winter temperatures set in, spare a thought for our latest acquisition, the Forester kangaroo taxidermy specimen. In late 2013, this female kangaroo died of natural causes within the Boronong Wildlife Sanctuary in Brighton, Tasmania. The taxidermy was commissioned by the National Museum of Australia and prepared by Tom Sloane from the Tasmanian Museum and Art Gallery. The kangaroo has...

Thylacine close-up

One of the most significant, fragile, and haunting objects held in the National Historical Collection is an entire skinned carcass of a thylacine, commonly known as the Tasmanian tiger. No records exist of where or how the specimen was collected. It is part of the MacKenzie collection of wet specimens, which includes various other thylacine organs and parts. Orthopaedic surgeon Sir Colin MacKenzie was the director of the Australian Institute of...

A crash course in taxidermy

WARNING: This blog post contains images which may be upsetting to some readers The role of an assistant curator in a museum encompasses many different tasks, but one, which I had not envisaged is the procurement of taxidermy specimens. When asked to investigate the possibility of commissioning a specimen of a Forester kangaroo for our Landmarks gallery, I was slightly apprehensive. My knowledge of taxidermy, as I imagine for most...

Riding with ‘Hernia’: Biking Rottnest Island

I first met Darrell Hick on Rottnest Island in 2007 while I was doing some research with the island’s heritage officer, Patsy Vizents, for the National Museum of Australia’s Landmarks gallery. Darrell had just undertaken some conservation work on an historic firearm that had been on display in the Oliver Hill WWII gun battery. I was enjoying a pie from the ever-popular bakery. He asked me what kind of objects...

Equine CSI

In every curator, there’s surely a bit of the forensic investigator and I’m currently playing sleuth in an excellent mystery – an equine ‘who-is-it’. When the National Museum’s Horses in Australia curatorial team started work on the project earlier this year, one of our first tasks was to discover what the Museum already held in its collection’s relating to equine and equestrian history. We searched through our online collection database,...

Collecting the future

How should museums engage and respond to climate change? How can we use our collections, exhibitions and programs and our traditions of fostering conversation and debate to help communities make sense of this global challenge? A few weeks ago, I travelled to the American Museum of Natural History in New York in the United States, to talk with other curators, educators, scientists and scholars about these complicated and challenging questions....