Last week, while we were installing the NMA’s Freewheeling cycling exhibition at the Queensland Museum in Brisbane, a massive hailstorm struck the city. Hitting just before 5pm, the city stopped moving. The roads became car parks, the train stations flooded and the buses were caught in traffic gridlock. The only people who made it home on time that day were those on two wheels, or two legs. Although they did have to jump a few fallen trees! Continue reading
Imagine yourself, for a minute, as a 15-year-old girl at boarding school in England in 1826. An urgent message arrives to inform you that your mother has taken ill and you must come to her at once. The concern for your mother’s condition weighs heavily on your mind as you rush off in an awaiting carriage. When your carriage stops to change horses, you are informed by a charming gentleman that your mother is not actually ill at all, but you are to travel with him to meet your father in Kendal. You agree to travel with this man, who you had never met prior to this evening, and on arrival in Kendal there
is no sign of your father. The charming gentleman explains to you that your father is
on the verge of financial ruin and convinces you to marry him in order to save your family’s fortune. What choice do you have? It is a proposal you cannot refuse. Your journey continues to Gretna Green, Scotland where you are married by the blacksmith and become the wife of Edward Gibbon Wakefield. Continue reading
Cadel Evans, Anna Meares, Simon Gerrans, Nathan Hass, Caroline Buchanan, Kathy Watt, Sue Powell and Michael Milton are just a few of the cycling stars you will encounter in a new National Museum of Australia travelling exhibition due to open at the Queensland Museum in Brisbane this weekend.
Freewheeling: Cycling in Australia explores the story of Australian cycling, from our elite champions through to the role bikes have played in all our lives.
Read more below about what’s on display and how the show came about.
Chloe Bussenschutt works as an objects conservator at the National Museum of Australia. One of her recent tasks has been the stabilisation and revitalisation of a horse mannequin from a saddlery business in Cooma, a town on the high, windswept Monaro plains of southern New South Wales. The mannequin features in Spirited: Australia’s Horse Story, the Museum’s latest exhibition. In her writings below, Chloe reveals the artful, philosophical and technical dimensions of this particular conservation project, and her personal fascination in the object now called Winnie.
Last week I attended the opening of The Australian Geographic ANZANG Nature Photographer of the Year 2014 exhibition at the South Australian Museum, in Adelaide. It was wonderful to be amongst the excitement as the competition winners were announced. Celebrating the landscapes and animals of the Australasian region, the competition attracts the amazing talents of thousands of photographers each year. I went to the exhibition opening with one of the finalists, Ruth Smith – a friend and contributor to the National Museum’s Landmarks gallery – and enjoyed the opportunity to reflect on her work and the art of photography.
The National Museum celebrated Australia’s horse story with the official launch of its new exhibition Spirited last week. The opening event mustered together horse enthusiasts from across the country, many of them having contributed their stories to the exhibition. Animal trainer Zelie Bullen opened the exhibiton by sharing her own horse stories, including those from the set of War Horse. Many more stories were shared as guests mingled and looked through the exhibition for the first time.
News of the fight spread quickly. A bike had been stolen and the culprit discovered. That was all anyone at my high school needed to know. In 1984 you didn’t need social media to create a flash mob. When the bell rang signalling the end of the school day, everyone simply gathered at the bike sheds for the showdown. Continue reading
Our new kangaroo has taken pride of place in the Hobart exhibit of our Landmarks gallery, replacing a larger male kangaroo which was on loan from the Tasmanian Museum and
Art Gallery. The most rewarding step of the curatorial process is to finally see the installation of objects in the galleries and observe how visitors interact with the exhibits. Continue reading
There’s a scene in the 1999 blockbuster The Matrix that kept jumping into my mind during the annual international cycling conference Velo-City Global held in Adelaide in May. In a flash restaurant, one of Neo’s (Keanu Reeves’) collaborators is making a deal with the enemy, the machines. He bites into a piece of steak admitting that while he knows it is merely a virtual construction that makes it seem juicy and delicious, he would preferred to enjoy the meal and forget about the complex reality around him. In exchange for betraying Neo he will be given a virtual life full of everything he has ever wanted. His memory will be erased so he will never be aware of the awful truth that has befallen the planet: that humans have been enslaved and now exist as passive batteries, their lives played out in a virtual space, the matrix.
Hobart and Canberra rank as two of the coldest cities in Australia. As winter temperatures set in, spare a thought for our latest acquisition, the Forester kangaroo taxidermy specimen. In late 2013, this female kangaroo died of natural causes within the Boronong Wildlife Sanctuary in Brighton, Tasmania. The taxidermy was commissioned by the National Museum of Australia and prepared by Tom Sloane from the Tasmanian Museum and Art Gallery.
The kangaroo has arrived from Hobart at the National Museum’s storage facilities at Mitchell, a suburb on the outskirts of Canberra. Unfortunately, the welcoming committee was far from warm. As soon as the kangaroo was removed from the packing crate, she was covered in calico and plastic wrappings and put into the freezer.
There she remained for a week, at a constant temperature of minus 21 degrees C. Continue reading