Main Neale crop

Riding horses – it’s good for the soul, and for a long and fit life!

Olympic rider Neale Lavis, 84, sits ‘like a king on his throne’ as he rides Wattle Grove in the hills above Braidwood. I met Neale through my farrier, who told me the 1960 Rome three-day event champion was ‘one of the best blokes’ I was likely to meet. He was right.

Neale still breeds, rides and trains horses. The image of the king on the throne is one Neale used about riding his champion three-day event mount, Mirrabooka.

You can experience Neale’s great victory in Rome, his deep love of horses and their shaping of his long and successful life in our new film and web feature, A bush rider’s Olympic story, introduced by Diego Zambrano’s beautiful photo of Neale riding one of his beloved horses.

Man on horse

Neale mounted on Mirrabooka prior to dressage event at Rome Olympics, 1960.

Look out in the near future for the next ‘chapter’ of my Australian bush horses and riders website, which will focus on the dashing horses, men and women of showring high jump fame. These famous people and horses dominated the showring circuits of eastern Australia in the first half of the 20th century, linking the people and towns of rural Australia with the major shows of the state capitals.

The striking Emilie Roach was one such hero. Born in Narrandera, New South Wales, in 1898, she was the generation before Lavis, but he saw her riding at many shows, and photographs and tales of her riding feats had given her a legendary status.

Woman on horse

Emilie Roach riding the champion hack, Kim, 1924.

Em’ Roach could be termed a glamour girl of her time and in the 1920s, along with other of her show-ring contemporaries, was tempted by offers to make films in Hollywood. For Neale, she provided inspiration for his own showjumping feats.

Fortunately, she stayed firmly in the saddle in Australia, and her riding career spanned nearly half a century.

During this period, she set many new records for women’s high-jump events, and rode a series of famous high jumpers and champion saddle horses, including Dungog, Lady Radium, Kim, Musician, Peter and Gray Timothy.

Roach’s biographer, and leading authority on show-ring high jumping , Alan Chittick, says in his classic book High, Wide and Handsome, that she ‘was Australia’s most accomplished lady rider’ and that she displayed both the ‘dash and courage of the jumpers riders’ and ‘the polish of the accomplished rider on the flat’.

Woman and horse jumping a fence

Emilie Roach jumping Musician at the Royal Easter Show, Sydney 1925.

Woman on a horse

Emilie Roach riding Lady Radium, 1930.

Emilie Roach’s equestrian exploits included high-jumping, hurdling, show hacking and camp drafting. You can see objects including Emilie’s show-ring clothing, ribbons, medallions and trophies in the Museum’s Spirited: Australia’s Horse Story exhibition. The National Museum  is fortunate to have the Colledge Family collection (relating to both the riding exploits of Emilie Roach and the motoring achievements of her husband Jack Burton), which was donated to the Museum in 1996 by Warren and Rhonda Colledge.

More details on this collection are also available in the Emilie Roach equestrienne collection highlight on the Museum’s website.

Look out (and up!) for the jumping bar at the conclusion of Spirited, which is set at a lofty 7 feet 1inch (216 cm), the height that Emilie Roach and Dungog sailed over for a win at the Royal Easter Show in Sydney on 1 April, 1929. Later at Coonamble Emilie cleared 7ft 5inches (226 cm) on R. Chittick’s Grey Timothy, but in the absence of the show surveyor this magnificent jump could not be officially recorded.

Woman jumping horse over large fence

Emilie Roach winning the Ladies High Jump on Dungog at the Royal Spring Fair, Sydney, 1927.

According to Chittick, himself a descendant of one of the greatest New South Wales show competition families, the Chittick’s of Kangaroo Valley, Emilie Roach was one of the ‘new stars’ of the golden age of showing jumping in the 1920s. Like Neale Lavis, Emilie  had also been inspired by riders of an earlier generation. One very important role model for her was the amazing Mrs EM Stace.

Woman jumping horse over jump using a sidesaddle

Mrs Stace jumping sidesaddle to a new Australian ladies record of 6ft 6 inches (198.1cm), riding Emu Plains at the Royal Agricultural Show, Sydney, 1915.

In a short history of her riding career  written in 1950, Roach remembers how seeing ‘Mrs Stace riding side saddle over those big fences’ at the Royal Agricultural Show in 1914 changed the direction of  her life. She was thrilled by the ‘thunder of applause from the crowds’, and says that, ‘it was then and there I decided to be a show rider, and hoped that someday I’d become a famous horsewoman too, and from that time show ring riding was all I ever dreamt of.’

Mrs Stace was 52 years of age when she established her 1915 record riding Emu Plains, and it was never challenged as the younger women riders moved to the more secure and comfortable astride position. As Alan Chittick has commented: ‘Mrs Stace was distinguished by her tremendous poise, unique balance and obviously her great courage.’

She was definitely a very  courageous woman, as I don’t imagine that many riders today (male or female) would feel comfortable to jump the heights to which Mrs Stace soared, balancing on a sidesaddle!

Alan Chittick also observed of her remarkable riding style: ‘her seat on the horse was far from precarious, and she must have possessed marvellous balance, for in every photograph she sits exactly the same.’

Woman jumping horse using sidesaddle

Mrs Stace jumping the legendary grey, Desmond, at the Royal Agricultural Show, Sydney, 1912.

In the picture above, Mrs Stace is 50 years old, and Desmond an incredible 26 years, and once again Chittick’s words say it perfectly: ‘They might be both getting on in years but they were still the greatest’.

I look forward to recounting more tales of the exploits of the horse high jumpers on my Bush horses and riders website. I will be revealing stories about the  Chittick family’s famous riders and horses, as well as acknowledging and exploring the star status of some of the well -known Indigenous high jump riders.

I hope this post has made you reflect on the excitement and joy of riding horses as a lifetime pursuit. One of Australia’s more infamous bush poets, The Breaker (Harry Morant), has summed up my feelings in his evocative poem, ‘Who’s Riding Old Harlequin Now?':

I am wondering today if the brown horse yet live,
For the fellow who broke him, I trow,
A long lease of soul – ease would willingly give
To be riding brown Harlequin now!

Please let me know if you have any questions or suggestions about the Bush horses and riders site and if you have any stories that you would like to share, please leave a comment below.

Man sitting in chair looking at photograph

Alan Chittick looking at an historical photograph of the Sydney Royal Agricultural Showground, at his home in Moss Vale. Photo: George Serras, 2014.

The National Museum of Australia would like to thank Alan and Ruth Chittick for hospitality and allowing us to copy images from Alan’s personal albums and book, High, Wide and Handsome.


AJ Chittick, 1989, High, Wide and Handsome, A Pictorial History of Australian Show-Ring Jumping 1900-1950, Robert Burton Printers Pty Ltd.

E Roach, 1950,  ‘My memories of horseback riding…’ Photocopy of an 11-page manuscript by Emilie Roach on file at the National Museum of Australia.

RM Williams, 2001, The RM Williams Collection of Australian Bush Classics, Outback Publishing Company.

Essendon milk cart

A milkman’s Christmas memories

Christmas Day – before the daylight saving – it would be daylight at half past four in the morning and there’d be kids out on bikes and scooters and they’d all come to show the milkman what they’d got for Christmas …

Conway Tighe, owner of the Lincoln Park Dairy until 1987, remembers the excitement of the children early on Christmas morning, as he went about his daily business of delivering milk to homes in the Melbourne suburb of Essendon. The milkman and his horse and cart were a familiar sight in the suburb, at one stage delivering milk to over a thousand households. Continue reading


Working on Winnie

Chloe Bussenschutt works as an objects conservator at the National Museum of Australia. One of her recent tasks has been the stabilisation and revitalisation of a horse mannequin from a saddlery business in Cooma, a town on the high, windswept Monaro plains of southern New South Wales. The mannequin features in Spirited: Australia’s Horse Story, the Museum’s latest exhibition. In her writings below, Chloe reveals the artful, philosophical and technical dimensions of this particular conservation project, and her personal fascination in the object now called Winnie.

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Fuelling Horses, People & Futures

Harold Fife was born in 1919 at Wagga Wagga, a busy town among the wheat and sheep farms of southern New South Wales, and died in 2011. During his long life, Fife witnessed a dramatic transformation in methods of generating food and fibre. As a young man, he worked in his family’s chaff-cutting business, which operated across inland New South Continue reading

Double Abbott Buggy. Photography by Jason McCarthy, National Museum of Australia

Buggies, Bicycles and FJ Holdens

Every Australian family wanted one of these. With room for the whole clan on two bench seats, the sleek and robust double Abbott buggy was the FJ Holden of the late 19th century. I like to imagine the Victorian equivalent of the barbecue where ladies chatted about the Abbott’s silky smooth ride and the convenience of its rain hood. Men might have debated their buggy’s top speed with a decent pair of horses on the front. Continue reading

Bowen Downs Queensland

Captured: the art of photography

Last week I attended the opening of The Australian Geographic ANZANG Nature Photographer of the Year 2014 exhibition at the South Australian Museum, in Adelaide. It was wonderful to be amongst the excitement as the competition winners were announced. Celebrating the landscapes and animals of the Australasian region, the competition attracts the amazing talents of thousands of photographers each year. I went to the exhibition opening with one of the finalists, Ruth Smith – a friend and contributor to the National Museum’s Landmarks gallery – and enjoyed the opportunity to reflect on her work and the art of photography.

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A Waler’s tail

During the development of the Spirited: Australia’s horse story exhibition, the National Museum has been in contact with numerous breed organisations and representatives from across Australia. Several weeks ago, I was contacted by Angela Tiede, a passionate supporter and owner of Waler horses. Angela sent the following stories of some of her horses for use in this guest blog post as part of her aspiration to help Walers “find their modern role in our community… Our pioneering horse meets our pioneering future, so to speak.”

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Our Rockhampton, an ex-racehorse now competing as a 3-day-eventer. Image supplied by Renée Geelen.

What happens to all those racehorses?

What happens to racehorses when they leave the track?

Last week I was contacted by a number of people critical of our decision to display of a can of ‘Horsielicious’, created by the Coalition for the Protection of Racehorses (CPR), in the Spirited: Australia’s Horse Story exhibition. The can was used in 2014 protests aimed at raising awareness of the need for a ‘retirement plan’ for horses involved in racing.

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A Spirited opening event

The National Museum celebrated Australia’s horse story with the official launch of its new exhibition Spirited last week. The opening event mustered together horse enthusiasts from across the country, many of them having contributed their stories to the exhibition. Animal trainer Zelie Bullen opened the exhibiton by sharing her own horse stories, including those from the set of War Horse. Many more stories were shared as guests mingled and looked through the exhibition for the first time.

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