Airmail bag

‘Par avion’ – French for ‘by airmail’

While visiting Australia during 1914, French aviator Maurice Guillaux flew his Bleriot monoplane to deliver Australia’s first official airmail, flying from Melbourne to Sydney on 16-18 July. Over this coming weekend, the The Aviation Historical Society of NSW, with the assistance of Australia Post, will lead the centenary celebrations for this significant event, through a re-enactment flight by Owen Zupp in his Jabiru and accompanying aviators and aircraft. Although the idea of carrying mail by aircraft these days seems very ordinary, in 1914 Guillaux’s flight was an exciting and inspiring moment for many Australians.

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Head of a horse-shaped children's tricycle

A horse tricycle and SO much more…!

The Museum recently acquired a single family’s impressive collection of nearly 350 toys and we are marking the arrival with the display of one of the most beautiful pieces in its number – a 1920s horse tricycle. The trike, like the rest of the toys in the Susan and Andrew Gibson collection, belonged to a single generation of children in whose memory the collection was donated and named – the enviable sibling duo, Susan and Andrew Gibson. Continue reading

indian farmers_cropped

Science & suburbs: new stories about food

We’ve uploaded some fascinating new pages onto the Museum’s Food Stories website. The pages feature a stump-jump plough, and reveal its close ties to Majura Primary School, our Food Stories partner school in the ACT.

Majura Primary School students live in houses built upon paddocks and scientific plots formerly managed by the Commonwealth Scientific and Industrial Research Organisation (CSIRO), which operated the Dickson Experiment Station on the lower slopes of Mount Majura between 1940 and 1962.

Much to the annoyance of CSIRO research scientists working at the Station, the rapid expansion of suburban Canberra after World War Two eventually forced the transfer of their activities to a site near the western boundary of the ACT. By 1965, the patchwork Continue reading

golden crust bakery detail

The Golden Crust Bread Company

When Museum Friend John Thwaite read about the Horses in Australia project in our ‘The Museum’ magazine he thought we might be interested in a 1938 photograph of the delivery teams at his family’s bakery, the Goulburn Crust Bread Company. John recently had this treasured photograph restored and digitally copied, and in this guest post shares its story.

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Objects in place: the Springfield collection

How might a place inform our understandings of historical objects? The National Museum of Australia yesterday launched The Springfield Collection, a new online feature that illuminates an extraordinary set of objects with intimate ties to a particular locale near the inland city of Goulburn in southern New South Wales.

About ten years ago the National Museum of Australia began negotiating the acquisition of a collection generated by the establishment and operation of Springfield, one of Australia’s oldest and most influential merino studs. Most of the donated items were stored for generations inside the grand Springfield homestead and its many Continue reading

Halfway along the walk to Duck Reach.  (Photo by Suzanne Brown)

Politics and water power

Recently, in one of those happy accidents of timing, I went on holiday to Tasmania where I was able to visit one of the places I had recently been researching. I have been working on some artefacts from Tasmania, all drawn from the Bob Brown collection.  There are 3000 items in this very large collection, and it remains an ongoing challenge to decide which to choose.

Given that this collection is about political activism against the ongoing development of hydropower in the latter half of the twentieth century, part of the research necessarily includes establishing the historical context of hydroelectricity. I decided to find out, just Continue reading

Margrete painting Waler [FEATURE CROP 2]

Painting horses

Horses have fascinated Australian artists for just on two centuries. The first locally produced work to feature a horse is thought to be a watercolour by an unknown artist who, in 1804, depicted mounted troopers confronting rebels at the Castle Hill uprising near Sydney. Since then, hundreds of painters, sketchers, illustrators, photographers and sculptors have set out to capture the character and charisma of horses and the meaning and nature of their relationships with people.

After hearing about the Museum’s Horses in Australia project, Hunter Valley artist and equestrian Margrete Erling wrote to me recently to tell me about a series of paintings she is  currently developing exploring horses’ roles in our national history. In this guest post, Margrete shares why she was inspired to take on this subject, and how it’s an integral part of her and her family’s life with horses.

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