Double Abbott Buggy. Photography by Jason McCarthy, National Museum of Australia

Buggies, Bicycles and FJ Holdens

Every Australian family wanted one of these. With room for the whole clan on two bench seats, the sleek and robust double Abbott buggy was the FJ Holden of the late 19th century. I like to imagine the Victorian equivalent of the barbecue where ladies chatted about the Abbott’s silky smooth ride and the convenience of its rain hood. Men might have debated their buggy’s top speed with a decent pair of horses on the front. Continue reading

'Bennelong had a Point' 2012 by Black Douglas (Adam Hill) and Hugh Ramage.  Photo by Sam Birch.

Bennelong had a Point

‘Time flies’, the proverb proclaims, and indeed it seems a year could not possibly have passed since the Sydney Opera House celebrated its 40th birthday and we commemorated the occasion with a blog post highlighting the landmark and the Museum’s purchase of two very rare protest posters associated with Jørn Utzon’s dismissal from its construction.  Yet today, the iconic cultural centre yet again marks its birthday – this time with significantly less fanfare than last year’s milestone warranted – and we, with unexpectedly impeccable timing, are again able to announce an exciting development to mark the occasion. Continue reading

Bowen Downs Queensland

Captured: the art of photography

Last week I attended the opening of The Australian Geographic ANZANG Nature Photographer of the Year 2014 exhibition at the South Australian Museum, in Adelaide. It was wonderful to be amongst the excitement as the competition winners were announced. Celebrating the landscapes and animals of the Australasian region, the competition attracts the amazing talents of thousands of photographers each year. I went to the exhibition opening with one of the finalists, Ruth Smith – a friend and contributor to the National Museum’s Landmarks gallery – and enjoyed the opportunity to reflect on her work and the art of photography.

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Zeke2011

A Waler’s tail

During the development of the Spirited: Australia’s horse story exhibition, the National Museum has been in contact with numerous breed organisations and representatives from across Australia. Several weeks ago, I was contacted by Angela Tiede, a passionate supporter and owner of Waler horses. Angela sent the following stories of some of her horses for use in this guest blog post as part of her aspiration to help Walers “find their modern role in our community… Our pioneering horse meets our pioneering future, so to speak.”

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A Spirited opening event

The National Museum celebrated Australia’s horse story with the official launch of its new exhibition Spirited last week. The opening event mustered together horse enthusiasts from across the country, many of them having contributed their stories to the exhibition. Animal trainer Zelie Bullen opened the exhibiton by sharing her own horse stories, including those from the set of War Horse. Many more stories were shared as guests mingled and looked through the exhibition for the first time.

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Denny in a hedge maze.  Photo: Chay Khamsone.

A Botanical life – a new chapter

It’s truly serendipitous how the fabrics of our lives sometimes manage to weave themselves into fortuitous little knots of connection, and it seems that just such a knot led to this guest blog post – exploring two women’s contemporary lives in the bush – by Pappinbarra River valley resident Chay Khamsone and her neighbour-come-colleague Bryony Anderson.

You see, not long ago, I wrote an article titled “A botanical life”, which explored the life of a young girl named Annabella Innes. In the 1840s, Annabella lived at Lake Innes Estate, about 11km west of Port Macquarie, and was fascinated with the surrounding natural environment, carefully recording it in her diaries and botanical watercolours. She was an Continue reading

Margrete painting Waler [FEATURE CROP 2]

Striking new horse portraits by Margrete Erling

A few months ago we introduced painter Margrete Erling and her works that powerfully convey the significance of horses within Australian history, see Painting horses. In the meantime, Margrete has finished two striking new paintings. ‘Brumby’ honours the contribution of stock horses to the Australian pastoral industry, and ‘Pit Pony’ records the lives of horses bred to work in the cold darkness of underground coal mines. Continue reading