Museums enable the drawing of meaning and understanding from the material world. Visitors to the National Museum of Australia encounter objects strategically grouped by curators and designers, beside text carefully written and edited, near images selected for their relevance to the objects on display and processed for maximum visual effect.
But of course, visitors have their own, particular capacities to make sense of things they find in exhibitions or inside museum storage repositories, and objects have their own Continue reading
In a few weeks time, on the 25th February, the Royal Automobile Club of Australia will be celebrating the Year of the Horse with its inaugural Horsepower Dinner. The club is generously donating to the National Museum $30 for each person booked for the event to help support our Horses in Australia project, and especially our exhibition which opens in September. You can find more details about the dinner, and how to purchase tickets, here.
Yesterday a fellow curator alerted me to a sign that she’d driven past that morning in the Australian National University, ‘CAUTION: Bees in Lavender’. Today on the way to work I stopped to have a look. University staff had erected no less than five warning signs beside the buzzing, fragrant swathe of blossoming lavender. I started keeping bees Continue reading
When I first started working at the National Museum, I felt as though I’d arrived in an Aladdin’s cave – a treasure trove of collections from which I could choose whatever I wanted to explore and to write about. Continue reading
The Museum’s People and the Environment team is heading off on holidays, but we’ve left you a few ’gifts’ to enjoy over the summer holidays.
To help you pass those lovely lazy days we’ve just launched new pages on our People and the Environment website. If you’re following the Horses in Australia project, you’ll enjoy a glimpse of our forthcoming exhibition, opening in Canberra in September 2014. We’ve included some of our first ideas about what the show will look like, but we still need your help deciding on the exhibition’s title. If you’ve a few minutes to spare please do complete the name survey, open until the end of January.
‘the cultural paradigm is both the most obvious and the least developed in fire research’
Stephen J. Pyne 2007
International Journal of Wildland Fire, 16: 273
‘The mechanisms of storytelling… are our best hope of building a more inclusive and a more responsible citizenship’
Quentin Bryce, ABC Boyer Lectures, 2013
The Victorian Bushfire Project 2009-2013
The Victorian Bushfire Project began with an unexpected story, and it has been fuelled by more and more surprising stories since. Telling true stories has been the route to the Continue reading
In every curator, there’s surely a bit of the forensic investigator and I’m currently playing sleuth in an excellent mystery – an equine ‘who-is-it’.
When the National Museum’s Horses in Australia curatorial team started work on the project earlier this year, one of our first tasks was to discover what the Museum already held in its collection’s relating to equine and equestrian history. We searched through our online collection database, read through some thick paper files and asked the curatorial ‘hive-mind’ - that is, our colleagues - what they knew about our horse related holdings.
Not what you were expecting?
When I walked the beaches of the far south coast a few weeks ago, I wasn’t expecting it either. The usually empty stretches of sand were littered with the dead and dying bodies of hundreds upon hundreds of short-tail shearwaters, commonly called mutton-birds. These events are called ‘wrecks’. They occur when these migratory birds return to Australia to breed after a journey of some 15,000 kilometres from the Bering Sea near eastern Russia, Canada and Alaska. If they are unable to feed or rest in calm water, they can perish in their thousands. They then wash up on the beach, exhausted, emaciated and half drowned.
As the second Ashes test on Australian soil for the 2013-14 series begins in Adelaide tomorrow, I wonder what Colonel Light would think of the growth of his city and in particular the re-development of Adelaide Oval. Since 1938, the statue of Colonel Light has watched over the city of Adelaide, perfectly positioned on Montefiore Hill. The view towards the city, with Adelaide Oval in the foreground, is known as Light’s Vision and has for many years featured on postcards and promotional shots of Adelaide. Continue reading
How does a tree get a name – and a portrait?