The theme of this year’s International Women’s Day is ‘Make it Happen’ – an approach clearly shared by the little-known yet talented Australian petrologist Dr Germaine Joplin (1903-1989).
50 years ago women were particularly prominent in the field of geology, yet they struggled to gain recognition and acceptance among their male counterparts. Today, the gender gap is still a concern for Australian science. Leading Australian scientists explored the reasons for this in 2011 in The Conversation. Despite outstanding talent and hard work women scientists experienced prejudice and discrimination in the workplace, if they were lucky enough to gain employment. Determination and a thick skin were prerequisite for any woman then aspiring to a profession in the sciences.
When Australian track cyclist Anna Meares collected her 11th world championship medal a week ago in Paris it was another remarkable victory in a stellar career. On International Women’s Day, it is worth remembering that Meares’ remarkable achievements rest on the shoulders of giants. Her success and international prominence would be unlikely had it not been for the courageous and pioneering work of thousands of female cyclists who battled prejudice and discrimination in their fight to race on Australian roads and velodromes. Continue reading
Anyone unlucky enough to have encountered me sans my morning coffee knows that this is when I’m at my most desperate, perhaps my most murderous. I feel deprived, entitled to what I believe is my just deserts, and I’ll stop at nothing to get it. By ‘it’ I mean coffee and I know I’m not alone out there.
So it was no surprise to learn that the popularisation of coffee drinking in Australia, way back in colonial days, closely aligned with the proliferation of that other breed of Continue reading
A month ago, the television game show Family Feud, set fire to the Twitterverse with this question: ‘What is something annoying cyclists do?’ The highest scoring categories, which the contests had to predict, including such gems as ‘Riding in the driving lane’, ‘wearing lycra’, and, my personal favourite, ‘everything’. You might argue with me about the extent that Family Feud is an barometer of social values in this country, but I fear that it might not be too wide of the mark! Continue reading
At the heart of the Spirited: Australia’s horse story exhibition is the question ‘how has the connection between horses and humans shaped life this country?’
Our research into Australia’s horse history has revealed many complex and profound human responses to horses. We also want visitors to consider the other side of that connection – how do horses think and feel about us?
At the centre of the exhibition is a meditation in steel on the horse/human bond – artist Harrie Fasher’s sculpture ‘Silent Conversation’.
As January makes way for February, I take a moment to reflect on my first month as an artist-in-residence at the National Museum of Australia in Canberra.
It has been a fascinating journey so far, understanding how the Museum functions, what motivates the people that work there, and exploring what is the role that a Museum can play. I have been encountering the endless stories that are contained within the entire National Historical Collection and thinking about how I might go about traversing some of these things during my time here. Continue reading
Isa Menzies is a PhD candidate at the Australian National University, where she is examining how museums in Australia and New Zealand have interpreted horse remains, particularly in relation to narratives of national identity. Before becoming a student again, Isa spent almost a decade working in museums across a variety of roles, including as the curator responsible for Phar Lap’s heart at the National Museum of Australia.
In this guest blog, Isa reflects on the recent rediscovery of tissue cut long ago from the heart of Phar Lap, and the potential offered by these two containers of organ parts and preserving fluid to reimagine the great Australian race horse.
The name ‘Phar Lap’ conjures all sorts of imagery: the Melbourne Cup, perhaps, or the nobly-posed figure on display in the Melbourne Museum, or the abnormally large heart, which inspired the phrase ‘a heart as big as Phar Lap’s’. While the name evokes all those things and more, it is unlikely that when people think of Phar Lap, they will call to mind Continue reading
My name is Vic McEwan. I am an artist based in the Riverina region of southern NSW, the inaugural Arts NSW Regional Fellow, and Artistic Director of The Cad Factory. This week, as part of my fellowship, I have started as an artist in residence at the National Museum, which will run until the end of 2015.
I began my residency this week, excited about the possibilities that lay ahead. As I walked to the entrance, I was greeted by this sight: an abandoned pink bra. And I thought, how wonderful that Continue reading
Olympic rider Neale Lavis, 84, sits ‘like a king on his throne’ as he rides Wattle Grove in the hills above Braidwood. I met Neale through my farrier, who told me the 1960 Rome three-day event champion was ‘one of the best blokes’ I was likely to meet. He was right.
Neale still breeds, rides and trains horses. The image of the king on the throne is one Neale used about riding his champion three-day event mount, Mirrabooka.
You can experience Neale’s great victory in Rome, his deep love of horses and their shaping of his long and successful life in our new film and web feature, A bush rider’s Olympic story, introduced by Diego Zambrano’s beautiful photo of Neale riding one of Continue reading
In the late 1970s, a team of researchers at the University of Queensland began dreaming of a vehicle that combined the emerging technology of solar power with good-old fashion leg power. The result was a groundbreaking experimental bicycle known as the ‘Solar Tandem’. Continue reading