Isa Menzies is a PhD candidate at the Australian National University, where she is examining how museums in Australia and New Zealand have interpreted horse remains, particularly in relation to narratives of national identity. Before becoming a student again, Isa spent almost a decade working in museums across a variety of roles, including as the curator responsible for Phar Lap’s heart at the National Museum of Australia.
In this guest blog, Isa reflects on the recent rediscovery of tissue cut long ago from the heart of Phar Lap, and the potential offered by these two containers of organ parts and preserving fluid to reimagine the great Australian race horse.
The name ‘Phar Lap’ conjures all sorts of imagery: the Melbourne Cup, perhaps, or the nobly-posed figure on display in the Melbourne Museum, or the abnormally large heart, which inspired the phrase ‘a heart as big as Phar Lap’s’. While the name evokes all those things and more, it is unlikely that when people think of Phar Lap, they will call to mind Continue reading
How might the particular features of a piece of agricultural machinery record profound ecological ideas? At the National Landcare Awards in September, former prime minister Bob Hawke presented farmer Colin Seis with the prestigious 2014 Bob Hawke Landcare Award. The award celebrates Colin’s revisioning of agriculture as an ecological activity, and recognises the significance of ‘pasture cropping’, a revolutionary new method of grain and pasture production developed by Colin on ‘Winona’, his farm on the central tablelands of New South Wales. Continue reading
Today, December 5, is International Volunteer Day. At the National Museum of Australia, curators collaborate with a wide range of people, including many volunteers, to research and develop collections and exhibitions. In People and the Environment team, we recently came across a wonderful example of the contribution volunteers made to a previous project at the National Museum, and we thought that effort deserved sharing. Continue reading
Chloe Bussenschutt works as an objects conservator at the National Museum of Australia. One of her recent tasks has been the stabilisation and revitalisation of a horse mannequin from a saddlery business in Cooma, a town on the high, windswept Monaro plains of southern New South Wales. The mannequin features in Spirited: Australia’s Horse Story, the Museum’s latest exhibition. In her writings below, Chloe reveals the artful, philosophical and technical dimensions of this particular conservation project, and her personal fascination in the object now called Winnie.
Harold Fife was born in 1919 at Wagga Wagga, a busy town among the wheat and sheep farms of southern New South Wales, and died in 2011. During his long life, Fife witnessed a dramatic transformation in methods of generating food and fibre. As a young man, he worked in his family’s chaff-cutting business, which operated across inland New South Continue reading
A few months ago we introduced painter Margrete Erling and her works that powerfully convey the significance of horses within Australian history, see Painting horses. In the meantime, Margrete has finished two striking new paintings. ‘Brumby’ honours the contribution of stock horses to the Australian pastoral industry, and ‘Pit Pony’ records the lives of horses bred to work in the cold darkness of underground coal mines. Continue reading
Last week I had the great privilege of meeting Mrs Elma Pearsall, esteemed Ngunnawal elder, 93 going on 63, at her home in Boorowa, on the southern tablelands of New South Wales. Over coffee and sandwiches, she told stories about the long careers of her father and four brothers, all shearers with Leonard Brothers, a large contracting firm based in nearby Yass, which serviced sheds throughout New South Wales in the 1940s and 1950s.
Towards the end of our conversation, Elma showed me a small black and white photograph taken at her family’s farm at Pudman Creek, towards Crookwell. In the background stood Continue reading
We’ve uploaded some fascinating new pages onto the Museum’s Food Stories website. The pages feature a stump-jump plough, and reveal its close ties to Majura Primary School, our Food Stories partner school in the ACT.
Majura Primary School students live in houses built upon paddocks and scientific plots formerly managed by the Commonwealth Scientific and Industrial Research Organisation (CSIRO), which operated the Dickson Experiment Station on the lower slopes of Mount Majura between 1940 and 1962.
Much to the annoyance of CSIRO research scientists working at the Station, the rapid expansion of suburban Canberra after World War Two eventually forced the transfer of their activities to a site near the western boundary of the ACT. By 1965, the patchwork Continue reading
How might a place inform our understandings of historical objects? The National Museum of Australia yesterday launched The Springfield Collection, a new online feature that illuminates an extraordinary set of objects with intimate ties to a particular locale near the inland city of Goulburn in southern New South Wales.
About ten years ago the National Museum of Australia began negotiating the acquisition of a collection generated by the establishment and operation of Springfield, one of Australia’s oldest and most influential merino studs. Most of the donated items were stored for generations inside the grand Springfield homestead and its many Continue reading
One of the most significant, fragile, and haunting objects held in the National Historical Collection is an entire skinned carcass of a thylacine, commonly known as the Tasmanian tiger. No records exist of where or how the specimen was collected. It is part of the MacKenzie collection of wet specimens, which includes various other thylacine organs and parts. Orthopaedic surgeon Sir Colin MacKenzie was the director of the Australian Institute of Anatomy, where this specimen was previously held. In this blog post, Nicki Smith, one of the Museum’s senior conservators, describes the latest efforts to understand and conserve the creature’s delicate remains.