Chloe Bussenschutt works as an objects conservator at the National Museum of Australia. One of her recent tasks has been the stabilisation and revitalisation of a horse mannequin from a saddlery business in Cooma, a town on the high, windswept Monaro plains of southern New South Wales. The mannequin features in Spirited: Australia’s Horse Story, the Museum’s latest exhibition. In her writings below, Chloe reveals the artful, philosophical and technical dimensions of this particular conservation project, and her personal fascination in the object now called Winnie.
Harold Fife was born in 1919 at Wagga Wagga, a busy town among the wheat and sheep farms of southern New South Wales, and died in 2011. During his long life, Fife witnessed a dramatic transformation in methods of generating food and fibre. As a young man, he worked in his family’s chaff-cutting business, which operated across inland New South Continue reading
A few months ago we introduced painter Margrete Erling and her works that powerfully convey the significance of horses within Australian history, see Painting horses. In the meantime, Margrete has finished two striking new paintings. ‘Brumby’ honours the contribution of stock horses to the Australian pastoral industry, and ‘Pit Pony’ records the lives of horses bred to work in the cold darkness of underground coal mines. Continue reading
Last week I had the great privilege of meeting Mrs Elma Pearsall, esteemed Ngunnawal elder, 93 going on 63, at her home in Boorowa, on the southern tablelands of New South Wales. Over coffee and sandwiches, she told stories about the long careers of her father and four brothers, all shearers with Leonard Brothers, a large contracting firm based in nearby Yass, which serviced sheds throughout New South Wales in the 1940s and 1950s.
Towards the end of our conversation, Elma showed me a small black and white photograph taken at her family’s farm at Pudman Creek, towards Crookwell. In the background stood Continue reading
We’ve uploaded some fascinating new pages onto the Museum’s Food Stories website. The pages feature a stump-jump plough, and reveal its close ties to Majura Primary School, our Food Stories partner school in the ACT.
Majura Primary School students live in houses built upon paddocks and scientific plots formerly managed by the Commonwealth Scientific and Industrial Research Organisation (CSIRO), which operated the Dickson Experiment Station on the lower slopes of Mount Majura between 1940 and 1962.
Much to the annoyance of CSIRO research scientists working at the Station, the rapid expansion of suburban Canberra after World War Two eventually forced the transfer of their activities to a site near the western boundary of the ACT. By 1965, the patchwork Continue reading
How might a place inform our understandings of historical objects? The National Museum of Australia yesterday launched The Springfield Collection, a new online feature that illuminates an extraordinary set of objects with intimate ties to a particular locale near the inland city of Goulburn in southern New South Wales.
About ten years ago the National Museum of Australia began negotiating the acquisition of a collection generated by the establishment and operation of Springfield, one of Australia’s oldest and most influential merino studs. Most of the donated items were stored for generations inside the grand Springfield homestead and its many Continue reading
One of the most significant, fragile, and haunting objects held in the National Historical Collection is an entire skinned carcass of a thylacine, commonly known as the Tasmanian tiger. No records exist of where or how the specimen was collected. It is part of the MacKenzie collection of wet specimens, which includes various other thylacine organs and parts. Orthopaedic surgeon Sir Colin MacKenzie was the director of the Australian Institute of Anatomy, where this specimen was previously held. In this blog post, Nicki Smith, one of the Museum’s senior conservators, describes the latest efforts to understand and conserve the creature’s delicate remains.
Yesterday I visited MONA, the Museum of Old and New Art, on the banks of the Derwent River in Hobart, to meet with Reuben Parker-Greer. Reuben is employed by MONA to manage an inspiring initiative that helps local schools develop and maintain kitchen garden projects. MONA sits on the edge of a long established industrial and residential area, where fast-food outlets well outnumber community and school gardens. Moonah Primary School is one of the nearby schools that MONA supports, and also Continue reading
It’s been a brutal Australian summer. Record temperatures, unprecedented heatwaves, fires. Those people who draw their living from the land, and the livestock and crops they tend, have suffered most. In the years to come, as the chaotic ecological effects of global warming and climate change intensify, one of our greatest challenges will be to ensure the Continue reading
Museums enable the drawing of meaning and understanding from the material world. Visitors to the National Museum of Australia encounter objects strategically grouped by curators and designers, beside text carefully written and edited, near images selected for their relevance to the objects on display and processed for maximum visual effect.
But of course, visitors have their own, particular capacities to make sense of things they find in exhibitions or inside museum storage repositories, and objects have their own Continue reading