Our new kangaroo has taken pride of place in the Hobart exhibit of our Landmarks gallery, replacing a larger male kangaroo which was on loan from the Tasmanian Museum and
Art Gallery. The most rewarding step of the curatorial process is to finally see the installation of objects in the galleries and observe how visitors interact with the exhibits. Continue reading
Hobart and Canberra rank as two of the coldest cities in Australia. As winter temperatures set in, spare a thought for our latest acquisition, the Forester kangaroo taxidermy specimen. In late 2013, this female kangaroo died of natural causes within the Boronong Wildlife Sanctuary in Brighton, Tasmania. The taxidermy was commissioned by the National Museum of Australia and prepared by Tom Sloane from the Tasmanian Museum and Art Gallery.
The kangaroo has arrived from Hobart at the National Museum’s storage facilities at Mitchell, a suburb on the outskirts of Canberra. Unfortunately, the welcoming committee was far from warm. As soon as the kangaroo was removed from the packing crate, she was covered in calico and plastic wrappings and put into the freezer.
There she remained for a week, at a constant temperature of minus 21 degrees C. Continue reading
WARNING: This blog post contains images which may be upsetting to some readers
The role of an assistant curator in a museum encompasses many different tasks, but one, which I had not envisaged is the procurement of taxidermy specimens. When asked to investigate the possibility of commissioning a specimen of a Forester kangaroo for our Landmarks gallery, I was slightly apprehensive. My knowledge of taxidermy, as I imagine for most people, was extremely limited.
As a child, I remember visiting museums and staring in wonder at exotic animals and birds, allowing my imagination to take me to places and dreaming of seeing these creatures in their natural environment. Continue reading
As the second Ashes test on Australian soil for the 2013-14 series begins in Adelaide tomorrow, I wonder what Colonel Light would think of the growth of his city and in particular the re-development of Adelaide Oval. Since 1938, the statue of Colonel Light has watched over the city of Adelaide, perfectly positioned on Montefiore Hill. The view towards the city, with Adelaide Oval in the foreground, is known as Light’s Vision and has for many years featured on postcards and promotional shots of Adelaide. Continue reading
The installation of new objects to our galleries is often done in the mornings, before the Museum opens to the public. Staff members from curatorial, conservation, registration and exhibitions are all involved in the process.
A recent addition to our Landmarks gallery is this wood engraving showing a panoramic view of Melbourne by the artist, Thomas Carrington. It was originally published as a supplement to the Melbourne weekly paper, The Australasian, and shows the rapid expansion of the city during the 1870s. After many hours of research, writing, conservation treatment, design and planning, it is great to finally see the object on display.
…or an Aunty Hilda or an Aunty Edna.
There is something very familiar and comforting about ‘Aunty Ivy’. The character was introduced to the ‘Life. Be in it.’ public health campaign in the late 1980s, as a contrast to couch potato, ‘Norm’, who spent his days watching television. ‘Aunty Ivy’ was energetic and encouraged people to get out into the garden, enjoy the fresh air and, without even realising it, improve their health. Her personality is easy to relate to, that older mentor with an infectious enthusiasm and passion, in this case, for gardening. Continue reading